Border of Womanhood is an intimate reflection of a dreamy, young girl’s adolescence in Taiwan, her evolution as a woman and her decision to break out and move to New […]
Border of Womanhood (Premiere 2001) Read More »
The legendary adventures of Whitesnake, a mythic snake spirit gifted with magical healing powers, an enterprising businesswoman, a romantic lover, wife, mother, and a fierce, implacable warrior, are re-envisioned through
Kun/Shadow Whitesnake (Premiere 2001) Read More »
Toy Theatre Peony Pavilion is a unique combination of classic 16th Century Ming Dynasty Kun Opera (the ancestor of modern Chinese opera) with contemporary Western toy theater (using a small
Toy Theatre Peony Pavilion (Premiere 2000) Read More »
Climbing the Gold Mountain premiered at Henry Street Settlement’s Harry De Jur Playhouse in 1998. It recounts tales of the Chinese immigrant experience, as they struggle to make a living
Climbing Gold Mountain (Premiere 1998) Read More »
Based on a Yuan Dynasty (12th Century) dramatic text, Zhang Boils the Ocean recounts the romance between a young scholar and the daughter of the Dragon King. The production was
Zhang Boils the Ocean (Premiere 1994) Read More »
Instinct is a reflection on the paradoxical phenomenon of insects which only survive on their instincts but are harmless to nature, while humans with higher intelligence and knowledge are causing
Instinct (Premiere 1993) Read More »
Starring the comic superstar star of the traditional European puppet theater, as a luckless “Fresh off the Boat” immigrant, bitten hard by a materialistic distortion of the American Dream, Kasper
Kasper as a Banana (Premiere 1993) Read More »
Inspired by the movement and staging of traditional Peking Opera, this contemporary dance theater piece combines Western and Chinese performance technique to tell a story of three women in a
A Day at the Office (Premiere 1986) Read More »